So I’ve picked up a habit in the last 2 months since I’ve
been home. I’m not ashamed of the habit, but it is definitely a habit.
I find myself watching a lot of reality television.
I’ve always watched some form of it I guess, but Milt is the
reality TV watcher in our house. For years I just lived vicariously through his
summaries and the trailers I’d see on television. Never really getting into it, but knowing the
characters and their trail of stinkiness and having funny conversations with
Milt about them before we went to bed.
I never understood why anyone, especially a black woman,
would want to be on a reality show. To me, it seemed, the lure of fame got old
very quickly. Plus the idea that the nation wants to place you into the worse
stereotype and you consent to that stereotype was very odd to me. What’s sexy
about getting your wig snatched, having a drink thrown in your face, kicking
and screaming while burly guys in black t-shirts (they always wear black
t-shirts) have to pick you up physically and take you away from the
situation?
…but after I was fired I started really watching.
I actually felt good for a few weeks because these dolts
were actually in a worse place than I could every be emotionally. I kept
waiting for Dr. Phil to come out and help them.
When my friends questioned why I was watching I’d say:
“I’m just trying to see what all this is. I’m
not really into it.”
“Girl…you know I’m just trying to
study why someone would do this to themselves. These girls are cray cray!”
“I don’t watch all the time, just a
few snippets here and there”
“I’m just watching so I can
understand what Wendy Williams will be talking about tomorrow”
But the reality
is, I am hooked.
I’m especially hooked on seeing the black women. So yes, I watched and cringed through three episodes
of the Real Housewives of Atlanta (RHOA) reunion show when Porsha snatched off
Kenya’s wig and beat her like she stole something. I watched as Ne-Ne acted
like a pompous
ass to everyone, and Phaedra dropped that killer lecture to Kenya
about Apollo (wicked.) I even watched the painful (though the producers thought
it was comedy relief) machinations of Momma Joyce with Kandi. (Having my own sometime
complicated relationship with my own mother, I saw pain, not humor in that
display.) Of course on a purely professional level I feel that it’s beyond
horrible that Andy Cohen and his ilk think that American women are a sites of
humiliation, buffoonery and painful comedic relief. But Andy and his crew save
a special sort of agony for the RHOA women and they play right into it, only to
wear evening gowns and 7-inch heels they can hardly walk in and sit on his
couch and tear each other up.
I was happier than a pig in slop as I watched.
Not only did I watch it, I am
immersed in what else is going on with them. I’ve become a voyeur, clamoring to
know more about their lives (I read twitter whenever the shows are on.) I
research the characters (who knew the internet held that many secrets about
folks?) And I watch them even when the eventually end up on Iyanla, Fix My Life (Evelyn Lozada, Basketball Wives or Saigon and Erica, Love and Hip Hop New York ).
But yesterday I needed a
distraction. Needed might be too strong a word here, I was just
distracted. And Milt and I started
watching Love in the City on OWN.
I liked it.
Here’s my list of why:
1.
No one was attempting to create a fashion line
without knowing anything about fashion.
2.
Each of the women actually had a career of some
kind. Yes, there was definitely
posturing, but they worked for their money, it didn’t sort of show up.
3.
While their lifestyles looked perfect, the
lingering specter of cancer, and infertility, and bad relationships were real
indicators of what lots of women go through.
4.
The relationships they had with their extended
families were very real. They didn’t make it all good. Because dealing with
extended family is always messy. Always.
5.
They were not young folks. I loved that they
were in their late 30s and early 40s. Some folks I could finally relate to.
6.
They lived in New York and I knew every avenue
they walked on and filmed on. (An added benefit!)
7.
I didn’t feel these women were fake I felt I
knew these women. In fact I do know these women, I have lots of friends who are
like them.
8.
I love shows where folks are reinventing
themselves. I don’t kid myself that I’m like Bershan, or Chenoa. But I loved
that they were showing women in their 40s that you can make a different
narrative then the one that everyone thinks you should have.
9.
They make MISTAKES. Lots of them. I found myself
yelling a few times at Chenoa (my favorite) and being pissed at her about her
relationship with her estranged husband Carlyle. I was so sad for Kaiya because
who gets broken up with at a table in a restaurant in front of your girls? She
was humiliated, and I felt for her.
Tiffany’s double mastectomy and her relationship with her boyfriend was
familiar and scary. And Bershan (my second favorite) who is going through this
surrogacy thing alone (at least the show is showing her being alone) and a
husband who is constantly on the road (or doesn’t want to be on the show.)
There were no physical fights. Let
me say that again, there were four black women in the room and there were no
wands, hair pulling, nasty name calling, or anyone trying to take anyone else’s
man. There were arguments, but for me the arguments made sense. Most of the arguments involved Tiffany, but
she was the needy girl of the bunch. But she was also the one who had some of
the most poignant moments in the show. She deserves much better than Bryan who
had the nerve to take her hair when he moved his stuff out! As my husband said
so eloquently, “you can take a black woman’s phone, Chanel purse, and even her
iphone, but when you take her hair, now someone has to get cut!” And I
appreciated that the other three women were outraged when she told them, but
refrained from cutting, but you could tell they were thinking of ways to kill
him. (Hell, I was trying to think of a way to kill him.)
But what I liked the most was the idea
of the mommy narrative and how three out of the four women were dealing with
it. Maybe I’m still reeling from the New York Post’s insane headline calling
Chirlaine McCray a bad mother. But the mommy stuff is definitely on my mind, and
apparently on all the minds these women. Kiya goes to a fertility clinic in
anticipation of a partner and sperm that she doesn’t yet have. She has already
determined that 40 is a death sentence for her reproduction system. Bershan is
in surrogate craziness, while her husband travels the world. Yet it’s Chenoa who is really, really
interesting to me. She rejects mommydom.
Not because she has some hatred of children or pregnancy, but because it
just wasn’t right for her. She tried the hormones and the surrogacy and egg
harvesting and it just wasn’t for her. I loved that there was just a moment
that she and her estranged husband are in the room together, she looks at him
and says, “That’s (pregnancy and a baby) not what I want.” I yelled at the television! YES!!!! Please put more women like this and
Chirlaine McCray on television. Please.
Yes, I know. C’mon on
critics…bring it.
“But Erica, you have three
beautiful children and a wonderful husband, you are living the mommy
narrative!” And you are absolutely correct…sort of. But to reject the societal
narrative that binds women to being married barefoot and pregnant, is to me the
ultimate narrative of feminism. I wish more women consciously chose it instead
of listening to the Princeton Mom and her bullshit about finding a man at
college to fertilize you. Say what you will about Chenoa, but she knows what
she’s wants and her vision is revisionist, or at the very least, honest. Which
is refreshing and very much needed in this time where Hillary Clinton is about
to run for president and the narrative is already being spun that she is
mentally unstable because she used to bleed every month and went through
menopause. (Apparently if Mrs. Clinton has a hot flash she’ll blow us all up to
kingdom come.)
But here’s the reason I really
like Chenoa and Chirlane.
I too was caught up in the mommy
narrative. I had had a terrible time during my undergraduate years in Rochester
and Buffalo. I was in school to please my father and was trying to be a
mathematician if I couldn’t be the mechanical engineer my father desperately
wanted me to be. I floated around, did millions of things, but could never
settle on what it was that was in me, because I was afraid all the folks I
loved would stop loving me if I really was the person I wanted to be. But I did
know that I had the ability to get married and have a family. And in my mind if
I did this I could get my family to love me and forget the failed attempts at
college. So I did. I married, I had
children and we were happy. But it’s
been hard. I often wonder what my life would have been like if I had taken that
leap, and been an English major and started my writing life then before the
diapers, pacifiers, school supply lists, and Spring dances. I believed that being a mother would make me
happy, and it did, and it does. But I was also miserable. I was alone for huge swatches of time with my
first two children. Friends believed I was consumed with being mommy, so I
wouldn’t want to do anything I loved to do before. Family just let me suffer,
because that’s what the women in my family do, we suffer, and then we act as
though everything is okay. I was consumed with doing it all perfectly because
folks were watching, and the competition for the best mom of the year mug was
always fierce. And damn it I wanted that mug!
I love that Chirlane and Chenoa
acknowledge the craziness. They refuse to adopt it as their own narrative and
strike out to be the authors of their own life. After reading bout Chirlaine
and watching Love in the City, I
started thinking about Alice Walker’s, In
Search for our Mother’s Gardens. There
is one essay where she talks about what Black women could have been had they
not had to be sharecroppers, or maids, or servants while racism and Jim Crow
tried to destroy their spirits and their minds. To me Chirlaine and Chenoa are
artists who were able to defy the story that others had in mind for them to
blossom and plant themselves in their own gardens. It took me 44 years to find
my garden, I don’t want my girls to wait that long.
But as my kids are still growing
and blossoming…I’ll probably still be watching these folks on Love and Hip Hop, Real Housewives of
Atlanta, and Basketball Wives LA act the fool from their wheelchairs, hoping
that maybe they’ll reject the narrative too.
But I won’t hold my breath.